Let’s be real: You’re not just editing video. You’re storyboarding last-minute client pitches, fixing color grades that should’ve been finalized three revisions ago, re-exporting files at 3AM because someone forgot the watermark—and oh yeah, the client “loved it, but had just a few small changes” (that turned into a two-day re-edit).
The pace is relentless. The deadlines don’t budge. And when you’re already clocking 60+ hours a week, every new request feels like a weight you can’t carry.
This is the quiet crisis happening across post houses and content teams all over Orange County: overworked editors stuck between delivering high-end visuals and trying not to collapse under the pressure.
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